Shiki Ryougi

"I can kill anything that exists - even if it's a god."

- Shiki Ryougi

Shiki Ryougi is one of the main protagonists of Kara no Kyoukai. She is a girl who possesses the Mystic Eyes of Death Perception, a supernatural ability that allows the user to see the inherent mortality of everything (both living and non-living) in the form of lines. In her case, however, what she sees is the Origin of what she is observing. She assists the Garan no Do agency in handling paranormal cases when combat is required.

Background
Shiki's family, the Ryougi, are or were members of the Demon Hunter Organization. Their special skill involves creating two separate and distinct personalities within themselves. When a child is born, he or she is given a single name written in two different Kanji, each one relating to each personality. Shiki has an older brother, however he was unable to manifest a second personality within himself, thus making him ineligible to succeed as the head of the family. Like her brother, Shiki's mother and father are unnamed, but are seen in the movies. (Shiki's father in the second movie during a sword fight; her mother in the fourth movie after she comes out of her coma; her brother is seen in the seventh movie in a flashback.)

Personalities
Prior to her coma, she originally proved to possess two personalities, a male personality named SHIKI, and her usual female personality Shiki. Children born into the Ryougi family are generally male and are raised with two personalities, so the male personality is customarily called the "yang" personality, while the female is called the "yin" personality. However, Shiki's unnamed brother was not born with these dual personalities and thus deemed unsuitable to be the family heir, resulting in Shiki being raised as the family head in his place. It is easy to tell which Shiki is speaking at a given time because they both have a distinct style of speaking, most notably that the female Shiki speaks politely and with reserve, referring to herself with the gender-neutral pronoun watashi, while the male persona has a brash personality and refers to herself with the masculine pronoun ore.

After waking from her coma, Shiki discovers that she can no longer feel the male Shiki's presence and assumes that he died because of the accident. She also feels a detachment from her memories before the accident, and while she knows she is Shiki, she does not feel that she is. In the hopes of regaining herself and the "dead" Shiki, she puts on a cold facade that somewhat resembles the male Shiki's and tries to act as the female Shiki did. Touko understands the sense of detachment Shiki feels, but considers the current Shiki a third, new personality.

As it turns out, Shiki possesses a third personality other than the one Touko perceived (which is in fact Shiki's usual female personality) who always existed in the gap between the male and female Shiki and hid her existence from both. As Shiki puts it, the third personality is Akasha, "the origin of all things" itself and the original personality housed in the body (rather than Shiki (female) and Shiki (male) which are personalities housed in the mind). Usually, a life begins connected to the Origin until the connection is severed at birth, and even if somehow a life remained unsevered, the body's personality itself should not become self-aware, but the Ryougi family's special trait allowed it to survive and survive with intelligence. Because she has no interest in anything however, she usually remains dormant within Shiki.

Chapter 2: Murder Speculation Part 1
By the time of the second chapter, Shiki's family had effectively retired from the task of demon hunting, becoming a family similar to the Tohnos, in that they remained wealthy landowners. In this case, they own a large Japanese-style mansion with a grove of bamboo beyond the outer wall. Due to Shiki's success in manifesting her second persona and her older brother's inability to do so, she was chosen as the next head of the family and began training to do so.

During a snowy night, she meets Mikiya Kokutou for the first time, after he passes by her on an empty street. Later, they meet again when they enroll in the same high school and end up in the same class, beginning a casual relationship. Around this time, murders begin to occur in their town. Kokutou learns from his cousin Daisuke Akimi, a police investigator, that the murderer is most likely from his school. While the suspicion initially turns to Shiki, Kokutou doesn't want to believe it, even though she has an injury consistent with Daisuke's investigation. A number of scenes interspersed throughout the movie show Shiki at the crime scenes, but not actually committing the murders.

Shiki's male persona arranges a meeting with Kokutou, explaining to him her condition and surprising him with her male persona's outgoing and cheerful nature, which is drastically different from the female persona's reserved and quiet demeanor. This Shiki explains the division between the two personalities, and mentions that the two have been out of sync lately. After the meeting, Kokutou goes to Shiki's home, only to find her standing in front of a headless corpse, blood still spurting from the neck. Splattered in blood, Shiki utters an oft quoted line:

"Be careful Kokutou-kun.. A terrible premonition can bring about a terrible reality." Kokutou is questioned by the police regarding the incident, but he maintains that he did not see Shiki there and refuses to give any further information, even to Daisuke. Kokutou then regularly camps out in the bamboo grove outside Shiki's home in an effort to 'prevent' her from committing any more murders. After a while of this, Shiki confronts him with a knife and chases him through the grove and out onto the street, pinning him down with the knife to his throat. When she asks him to say something, all Kokutou can reply with is:

"I don't want to die."

To which Shiki warmly smiles and replies:

"I want to kill you."

When she raises her knife and moves to stab him, she finds she's unable to do so. Quite suddenly, she's attacked by Araya. A brief fight between the two ensues, but after Araya is wounded by Shiki, he notes that she's not fighting to kill but rather so she can flee. He allows her to do so, and Mikiya chases after her. Once he manages to catch her, she confesses to him that both Shiki and SHIKI like him, with this being the only other thing that SHIKI has known besides murder. As such, she feels that since he won't remove himself from her life, she'll remove herself from his.

Fleeing to the end of the street, she throws herself in front of a passing car, in an attempt to commit suicide. She fails, in the sense that SHIKI dies in her place, to allow her to remain with Mikiya.

Chapter 4: The Hollow Shrine
Following her attempted suicide, Shiki finds herself floating in absolute nothingness, or 「　」. She remains in this state for two years, realizing that she is both dead and still alive. During this time, her body is in a coma where she is visited by her family and Mikiya. When she awakens, she immediately sees the lines of death around her and attempts to tear her eyes out, causing the other doctors to bandage her eyes. She refuses to talk to her family or the doctors tending to her, causing them to misdiagnose her with aphasia. She eventually begins to receive daily visits from Touko Aozaki, posing as a speech instructor. By night, Shiki is attacked by spirits hoping to gain control of her body, and eventually Touko puts up a rune, creating a ward that keeps them out. The day before her release, Touko explains to her about the Mystic Eyes of Death Perception, and how even if Shiki were to remove her physical eyes, the Mystic Eyes would still be active. Touko offers to teach her how to control the Eyes, but Shiki refuses. The following night, one of the spirits possesses a corpse and uses it to get through the ward, attacking Shiki. While Shiki at first allows it to strangle her, she, being reminded of SHIKI's sacrifice and what Touko had said about it earlier, fights back, knocking them both out the window. Touko comes to her aid, but finds that her fire spell isn't enough to kill the corpse. Shiki kills the corpse with her Eyes, but the spirit possessing it attempts to possess her. Rather than be possessed, Shiki kills the invading spirit using her Eyes by stabbing herself in the chest. Shiki accepts Touko's offer to train her to use the Eyes, and begins work under her after her release.

Chapter 3: Remaining Sense of Pain
In time, Garan no Dou is approached by the head of the Asagami clan, who hires them to find and kill his step daughter, Fujino Asagami, after she awakens to her power and brutally kills the delinquents who were abusing her. One morning, she is called by Mikiya to tell his sister, Azaka Kokutou, that he would be unable to meet with her at Ahnenerbe. Arriving at the restaurant, she meets Fujino with Azaka, but notes to herself that she couldn't be the target, as she doesn't sense the desire to kill from her. After squabbling with Azaka, she leaves. In time, she comes across Fujino again after she kills another man linked to the delinquents who tried to attack her. Shiki prepares to fight Fujino, but leaves after noticing that Fujino can't feel pain. Shiki eventually receives word that Fujino killed a passerby unrelated to her tormenters and, disapproving of such senseless slaughter, vows to kill her. The two fight in the interior part of the Broad Bridge, and Shiki is able to "kill" her Mystic Eyes of Distortion using her own Eyes, but not before Fujino tears off her left arm. Fujino awakens to Clairvoyance and collapses the bridge around them. Both manage to escape, but Fujino loses her powers and regresses to a childlike state of mind. Shiki stabs her, killing her appendicitis, but lets her live. Afterwards, Touko constructs for her a Magical Prosthetic Arm to replace the one she lost.

Future Gospel
During one of her walks, Shiki comes across Meruka Kuramitsu before one of his bombings. Fearful that she would reveal his identity, Meruka began to pursue and set traps for Shiki using his ability to see the future, even setting traps in areas that Shiki visits by chance, and sends her a cellphone to communicate with her. However, Shiki survives the bombings, forcing him to come out of hiding and personally witness his latest trap so that he can see her charred body after the explosion, as his visions predict. However, Shiki cuts through his right eye's ability to see the future, causing him to lose his ability to make accurate predictions and thus encounters unforeseen events, such as the bombs he set being delayed by five minutes.

After dealing with Meruka, Shiki meets with Mikiya at Ahnenerbe, who was waiting for her there and speaking with Shizune Seo.

Chapter 1: Overlooking the Scenery
In August 1998, Mikiya brings over some ice cream while visiting Shiki, but Shiki is not happy to see him and says that she does not like ice cream so she decides not to eat it.

Around September 1998, Shiki had a conversion with Touko about the recent suicide cases in the Fujou building. Shiki found out that Mikiya has been in an unconscious state since after he investigated the Fujou building. When Shiki went to the building, she noticed a ghost floating around it.

She struggles as she witness Mikiya's state and hurries to the Fujou building. She witness another suicide from a high school student. She encounters Kirie Fujou's spiritual form who tries to curse her to death through her own puppet arm. Shiki cuts off her arm while Kirie retreats.

Back in Garan no Dou, Touko repairs her puppet arm with more improvements. Returning to her apartment, she finally eats one of the ice cream that Mikiya brought earlier. Knowing that she can't live without Mikiya, she becomes determined to save Mikiya from his slumber. She faces Kirie and ghosts of the other girls; Shiki quickly kills them using her Eyes.

After the physical Kirie's suicide, Mikiya wakes up and feels as if he had slept for a very long period of time. Shiki demands that he stay over at her house to finish the ice cream he bought.

Melty Blood
Shiki appears as an exclusive playable character and a secret boss in story mode for the Playstation 2 version of Melty Blood Actress Again along with Melty Blood Actress Again: Current Code. In Melty Blood Actress Again she appears as secret boss in story mode (using Eclispe Moon Style) by defeating 6 opponents in a row with a perfect but when using Shiki Nanaya or Neco-arc, she will be a normal opponent. In Actress Again: Current Code she was no longer a secret boss but changed to a normal character thus Archetype:Earth replacing her, adding that at the end of her story mode, she fights against Archetype:Earth just after her fight against Shiki Tohno. During the conversation between her and Archetype:Earth, Shiki recognizes the overwhelming aura which flows from Archetype:Earth, stating that she can not see her death and then calls her a monster, jumping into a deadly struggle.

Fate/Extra
The version of Shiki in Fate/Extra is similar in nature to her Melty Blood counterpart. She appears after Taiga makes a wish upon the Tiger Thermos found for her by the Protagonist. She is classified neither as a Servant or a Master, and her existence causes the air to continuously warp like a human moan. She gives off a murderous aura far above that of a human, and while she isn't a Heroic Spirit, she is called a demon, Aramitama, a being who dies, kills, and curses, and Death itself by the Servants.

She doesn't like existing within the Moon Cell, and wishes to leave as soon as possible. She has been set to kill one hundred Servants for an unknown reason in order to return to her world, but she assures that it is nothing personal. She notes that she has already killed ninety-nine, and that the Protagonist's Servant will be her one hundredth. She doesn't care about Masters, so she is willing to let the Protagonist be if their Servant dies willingly. She is called "Monster" when fought, and her special ability is called Boundary of the Void.

After being defeated, she contemplates that her journey is not yet over, thanks the Protgonist for setting her free, and notes that she would like to have a similar fight again. It seems that she is warped elsewhere, and the Servants believe she has been flung through time, either to the past or the future. Archer speculates that she is some form of spirit connected to the Moon Cell's Holy Grail War.

Carnival Phantasm
She makes brief cameos during the series and a small appearance in Episode 12 as she is seen cooking at the Ahnenerbe party.

Abilities
With her Mystic Eyes of Death Perception, she can see the points and lines of a target's death. A cut along any line will bifurcate the object, no matter the sharpness of cutting tool used, and ultimately destroy the object's origin, causing instant death. Her abilities extend to cutting things with no physical existence, such as Fujino Asagami's manifestations of her telekinetic powers. Unlike the other Shiki, Ryougi shows no definite proof after her release from the hospital that the use of her eyes causes mental strain on her brain, leading to the hypothesis that one's mentality greatly affects whether or not the brain can handle the power of the eyes. It doesn't matter if the target has a spiritual body like a Servant or they are dead like the ghosts surrounding Kirie Fujou, as it only matters if they are "living" in the sense that they can interfere with the current world. She has a hard time with Souren Araya's Śarīra because it belonged to an enlightened one who achieved "becoming extinguished, alive." Killing it using the lines of death would require her to decipher advanced "lines of death" levels higher than the normal concept of death.

Shiki has also shown that she is a fair combatant without a weapon. As seen in Kara no Kyōkai Movie 5: Paradox Spiral, when she approaches the bullies that were attacking Enjou Tomoe. When one of the guys attacks her, she quickly grabs his wrist and slams him face first into and nearby pipe. She quickly grabs the other assailant's stomach and using some kind of nerve strike causing the him to vomit and pass out. Giving the first bully enough time to recover, Shiki kicks him on the left side of the face with enough force to draw blood knocking him out.

Shiki has a Magical Prosthetic Arm that allows her to grab things from a distance, and also affect intangible objects. As seen in Kara no Kyoukai 1: Overlooking the Scenery, when she went up against Kirie Fujou who at the time was a ghost had several ghostly figures under her control. Shiki used her Magical Prosthetic Arm to grab her in her ghostly form. It has been stated by Touko that her second arm prior to going up against Kirie will be twice as strong as the original, and that it would take an elephant to destroy it. It also showed great durability when Shiki was running at high speed and jumped off of a building and landed on the other building grabbing the roof as she landed. Shiki had to cut off her first Prosthetic Arm because a ghost was grabbing it and was going to throw her off the Fujō building. Shiki's puppet arm has a hidden compartment to store a secondary knife.

Shiki also possesses heightened physical abilities, allowing her mobility in combat. She apparently has enough self-discipline to endure a great deal of pain, since she did not stop a charging attack against Fujino when her arm was twisted in midair. This arm was later replaced by a prosthetic crafted by Touko. With her bare hands, she was able to cut through Souren Araya's Boundary Fields.

She wields a katana called Kanesada Kuji in Paradox Spiral, Kanesada Kuji is a old sword with the ability to cut down barriers. The sword was broken when it landed on Araya.

Most notably she possesses self-suggestion which reinforces her physical and mental abilities when she is armed with a Japanese katana. Araya notes this, in the sense that she's not a knife-fighter, but a swordswoman, and that a distance of about 3 meters is nothing to her normally. But, when armed with a katana, her range triples to nine meters, which is something Araya didn't expect.

It's revealed by Touko Aozaki that her eyes are actually linked somehow to Akasha, the 'origin of all things.' It is eventually revealed that the reason why her eyes are so powerful is through her third personality, which is Akasha itself. Her third personality boasts the power to recreate reality to her whim.