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“ | Aya is a little girl who lives in northern Germany. Since her mother's passed away, she's felt lonely living with just her father and his assistant Maria. What's more, she knows her father's secret... | „ |
~ Description. |
Aya Drevis is a young girl and the main protagonist of the game Mad Father. She is the only child of Monika and Alfred Drevis, and lives in the large mansion that makes up the setting for most of the game.
Appearance[]
Aya is a young girl, who is almost eleven years old. Her hair is black, and reaches down to her waist. It is styled in a clean manner with the bangs cut evenly across her forehead, just above her eyes. Her normal outfit is a blue puff sleeved ankle-length dress, a white apron worn over it, tied in a bow in the back, white tights and black Mary Jane shoes. As accessories she wears a necklace with a gold pendant, and a big pink bow on the back of her head.
During flashbacks, Aya is shown wearing a simple blue dress with a white dress shirt beneath it. At this age, her hair is shorter, and only reaches to her shoulder blades. It is also styled differently, being kept in twintails by two light blue, almost white bows.
When Aya is turned into a doll in the bad ending she is seen wearing a large white bow in her hair, her usual gold pendant and a floor length red ruffled dress with a bow on the left side of the chest. She has a sad, empty expression on her face and her usual dark blue eyes are grey.
In the true ending Aya is seen with her hair cut just above her shoulders and no longer wears the bow.
Personality[]
Aya is a good natured girl that truly loves her family. Despite of her father's morbid activities and affair she continually strives to think positively and try to live a normal life. Her father, however, won't allow Aya to go outside and mingle with the other kids in fear of physical danger, so her only companion in the house is her pet rabbit, Snowball. Even with the lack of a social life Aya maintains a cheerful attitude. It is noteworthy that despite witnessing things that are too horrific even for most adults or could drive one to insanity Aya is still able to keep a level head at a very tender age.
Her love for her parents is one of the driving forces in the game. It is shown in flashbacks that she is raised normally by her parents wholeheartedly, cementing her belief to love family to the end. Lack of outside life didn't hinder her maturity because of her parents' attention and constant care. This fact is what causes Aya to believe that her parents are genuinely good. Her devotion to both of her parents is what encouraged her to face tasks that are seemingly impossible for a girl her age to even consider undertaking.
She would try everything in her power to save a loved one; even potential enemies. When the curse started, tormented spirits began to reanimate to relive their desperate last moments. Whenever faced by these spirits, Aya would help them to gain freedom at the cost of her safety. One incident that showed Aya's compassion was when their maid, Maria, was betrayed and injured by her deranged father. Despite being hunted by the very same person, she mended her wounds and tried to help her. She has an uncanny talent to mend wounds much like Maria.
In the true ending, though, Aya's real personality was shown. It was implied that Aya might have turned out to be what her father was when she grew up; a sociopathic murderer. The red book her father had been reading was shown in her possession, having picked it up after leaving their burning home. Operating a small clinic in the middle of a forest, she shows goodwill to 'patients' to lure them unexpectedly to be experimented upon. The remake confirms that she has continued her father's legacy of making dolls, however, unlike her father, she opts for patients with terminal illnesses and uses sedatives so they wouldn't feel pain. It is even implied she isn't really doing this do to falling into madness like her father but rather to keep her mother's promise to always support her father.
This strange characteristic can be sensed during the game by apt players:
- When looking in the drawers in her room, dead animals can be seen hidden within, in parallel to another story in the game where a kid became a murderer by killing small animals first and then killed his mother. In the Taxidermy room, there are multiple clones of Snowball; one has a cut in its leg and another has its belly torn. It can be assumed that her father had created this many due to Aya's mistreatment of her pet.
- There's a scene where Aya is strangely playing with a small chainsaw in their backyard, to her father's surprise. It could be assumed that Aya was, in fact, curious as to how her father does his experiments or she could have used the tool to kill small animals. It can be assumed that the 'original' Snowball was injured due to her using a chainsaw.
- Strangely, Aya is completely unaffected by screams and pleas for help. In the beginning of the game, Aya heard a terrifying plea for help from her father's basement and ignored it completely. The lack of sympathy for other people, except for her loved ones, may be due to her lack of a social life outside their home.
- The bookshelves in Aya's room it contain books that are darker in nature for a young girl to read. The Dark Quartet features morbid themes about death and torture, and Horus the Trader and the Red-Eyed Stranger allude to the 'salesman' named Ogre.
- After playing a second playthrough there are notes scattered in the game that weren't in the first playthrough. The notes depict her father's observation as Aya grows up. It is stated that her father had noticed Aya is starting to have 'curiosity' about anatomy and death similar to his, mimicking exactly what her father had done in his childhood.
- There is a note that her mother wrote that suggests slight insanity on her part too. It could be noticed in the first playthrough that her mother told her eerie stories before going to sleep.
- Aya is completely unaffected by the rooms of the trials of murder, in fact, her attitude is almost understanding. For example, after getting attacked on a couple of cases, she simply leaves/runs out of the room and says nothing afterwards.
- In the 'true ending', Aya encounters a red book before leaving, a red book that her father had. It is assumed that she had read the book, and drove herself mad. The book had 'gross pictures', so Aya refused to read it as a kid, but later on, she almost certainly read it. There is a rumor that the book may have consisted of directions to make people into dolls, or, as a few people have said, the title is possibly "The New Text of Anatomy."
- In 'Misao', Aya`s clone (Which was shown in the extra cutscene of Mad Father) was rumored to be the same Ms. Library due to some theories Ms. Library said. Having a mad scientist for a father, I will never be able to eat hamburgers again and also when you walk into The Library (in Misao) the music from Mad Father starts to play.
Gallery[]
Trivia[]
- Aya makes a cameo in Japanese Doll, which takes place before Mad Father.
- She is possibly seven or eight years old in the flashbacks, eleven years old at the game's start, and in her twenties or thirties in the True Ending.
- In the Laboratory, there are multiple clones of Snowball. One has a cut in its leg and another has its belly torn. It can be assumed that Alfred Drevis (Aya's father) had created many Snowball clones to keep Aya content and happy when she may have unintentionally harmed Snowball. Upon discovering this, Aya becomes sick and begins having suspicions.
- Strangely, Aya is completely unaffected by the screams and pleas for help coming from Alfred's basement; this is seen in the beginning of the game when Aya hears a terrifying plea for help from her father's basement but ignores it completely. This shows Aya's consideration for her father's wishes to the point of not caring what goes on in his laboratory. It may also be a sign of her lack of sympathy for others, with the exception of loved ones, due to lack of friends and social events outside her home.
- The bookshelves in Aya's room contain books that are dark in nature for a young girl to read. The Dark Quartet features morbid themes about death and torture, whilst Horus the Trader and The Red-Eyed Stranger allude to the 'salesman' named Ogre. As of Version 2, The Dark Quartet has been removed for unknown reasons.
- Aya is completely unaffected by the rooms of the trials of murder. In fact, her attitude is almost understanding. For example, after getting attacked on a couple of cases, she simply leaves/runs out of the room and says nothing afterwards.
- In the true ending, Aya encounters a red book before leaving, a red book that her father had. The book had "gross pictures", so Aya refused to read it as a kid. There is a rumor that the book may have directions to turn people into dolls. The title is either "The New Text on Anatomy" or "Kaitai Shinsho," depending on the game version.
- In Misao, Aya's clone (shown in the extra cutscene of Mad Father) was rumored to be Ms. Library, due to some specific quotes from her. When you walk into the library in Misao, the music from the True Ending credits of Mad Father (the track "Mad Father") starts to play, and, in the newer version, a picture of Aya's mother and a diary is shown containing what Aya said in the intro of Mad Father. When giving Ms. Library the name "Aya" in the Misao remaster, she'll reply that only her father is allowed to call her that.
- The name "Aya" has different meanings depending on the language.
- In Modern Hebrew, it means "The Beautiful Land of Israel" (Hebrew: ארץ ישראל היפה).
- In Japanese, it means "color" (彩), "design" (綾) or "brilliant fabric design, kimono design" (絢).
- In Arabic, it means "sign", "evidence", or "verse" (ayah) as in one of the passages that make up the Quran.
- In Akkadian, it means "dawn". In Akkadian mythology, Aya was a mother goddess, the consort of the sun god Shamash and associated strongly with the rising sun, sexual love and youth. The Babylonians sometimes called her kallatu meaning "the bride". She developed from the Sumerian goddess Sherida.
Licensing[]
This article contains content derived from the "Aya Drevis" article on the Mad Father Wiki, licensed under CC-BY-SA.